Hello! So here are bits and pieces of something I wrote for an assignment involving pitching ideas for an online magazine. I had a lot of fun writing these and I thought it was relevant to my blog because of the list of underrated movies. I hope people agree with and appreciate my recommendations! The DIY article is a bonus for the blog!!
Author: Bianca Piazza
For Movie Friday
The Top 5 Underrated Films Within the Last 10 Years: The Sleepers that Deserve More Attention in the World of Cinema
–Hard Candy (2005): Ellen Page plays a relentless teenage girl who meets an older man online in this thriller with an interesting twist
–We Need To Talk About Kevin (2011): A thrilling dive into the psychological debate about nature versus nurture
–Megan is Missing (2011): A realistic found footage horror/drama that will make you aware of whom you talk to online, and reconsider the true definition of a stranger
–Wetlands (2013): This German “dramedy”, based on the novel with the same name, delivers a heavy dose of graphic humor as well as intense emotion and fantastical imagery
–It Follows (2015): The indie horror of the year brings a new and exciting idea, reminiscent of The Ring (2002), to the horror genre that will shake you to the core
Pitch and Article:
For DIY Thursday and Art and Design
Color Block Yourself-ie: Cheat Your Own Self Portrait
While discussing the style of color blocking and the selfie trend with a friend, we came up with the new DIY idea of an easier way to create an artistic self-portrait, for both the artsy enthusiasts and the not-so Picassos.
The idea is to take a photo of yourself and print it out, the photo being the “blank” canvas for you to go crazy and paint/draw over using any medium of your choice. The photo provides guidelines for you to either follow for a more realistic portrait, or to break for a more Cubic take on the idea. I have painted a self-portrait before, and the medium I used was makeup. Makeup may not have strong pigmentation to paint over a photo, but makeup mixed with a medium of higher pigmentation, such as acrylic paint, will deliver a beautiful array of texture and depth! Although the idea sparked from color blocking, there are no rules; blended watercolors, soft pastel tones, or the elegance of realism can be applied to this fun and glamorous project. Materials such as makeup, nail polish, acrylic/oil/watercolor paint, crayons, pastels, colored pencils, you name it, can be applied to your creation. I decided to do this fun DIY activity myself. Here are my results.
Here’s my selfie, also known as my blank canvas!
Work in Progress:
The Final Product:
I slightly enhanced the photo of the final artwork with a filter to enhance the bright colors the camera and lighting were not capturing.
For my color-blocked selfie portrait, I used acrylic paint and watercolors, which made up a large majority of the piece, but I also used a tiny bit of pen and eye shadow. Here at Redesign Revolution, we want to see what you create, so go on Instagram and hashtag your work using #colorblockyourselfie and #redesignrevolution!!!
Where did I first hear about Wetlands?
I saw Wetlands on Netflix while browsing for a movie to watch. The girl with the crazy hair and the vibrant poster caught my eye, so I decided to look into it. It seemed like a strange and crazy movie, with a rather bizarre plot description I might add, which is right up my alley. I had no idea what I was in for…
Alright, right off the bat, I have to say that this movie is definitely not for everyone, especially people with weak stomachs, and is extremely NSFW. But do not leave my blog just yet!!!! Do not worry, I will keep the brief summary, and review tame. But for real, I cannot stress this enough, this movie shows some deeply grotesque images that are not for the faint of heart. If you are planning on eating some candy and popcorn during this movie, do yourself a favor and just don’t. Under all of the raunchy and shocking material is the honest story of a lost and unique girl.
Wetlands is a German film based on the partially autobiographical novel by Charlotte Roche and was the world’s best selling novel in March 2008. It is a bold, bawdy, drama directed by David Wnendt, produced by Peter Rommel, and written by David Wnendt and Claus Falkenberg. Helen, our leading lady and narrator, played by Carla Juri, is an eighteen-year-old girl who chooses to stray from the typical social norms. The first words out of her mouth are telling the audience that she has had hemorrhoids ever since she can remember and that she never thought she could tell anyone about it. She then begins to talk about how her mother had always stressed bathroom and genital hygiene, ever since she was little. Shortly after that there is a flashback to when Helen was just eight years old. Young Helen, played by Clara Wunsch, was standing on some sort of ledge, short enough to jump from, and her mother, played by Meret Becker, held her arms out to catch her. Of course little Helen tried to jump into her mother’s arms, expecting her to catch her, but her mother purposely let her fall to the concrete. Poor little scraped up Helen looks at her mother in confusion, and her mother tells her “Don’t trust anybody. Not even your parents. Better a scraped up knee now than a broken heart later.” Helen now says that she experiments with hygiene, also known as choosing not to have good hygiene at all whatsoever in any environment ever. Whether it is rubbing her, um, lady parts on a dirty public toilet seat, trading freshly used tampons with one of her only close friends and “blood sister” Corinna, played by Marlen Kruse, or taking a razor to her body hair roughly on her dry skin, Helen does not seem to be fazed even a little bit when it comes to poor hygiene habits. To me, the opening to the movie is quite brilliant because at just six minutes into the movie we understand that Helen was raised unconventionally and how she decides to go against everything her mother taught her as a form of resentment and rebellion. This sets the basis for the rest of the movie and allows the audience to better understand her emotional pain, extremely atypical behaviors, and just why she stands out from the crowd so much.
We begin to learn that her depressed mother is not the only one who raised her questionably. While visiting her father, Alex Milberg, she mentions that he often hurts her without realizing it. The movie then pans to a flashback exhibiting Helen’s father accidentally slamming the trunk of his car on her hand. This scene was obviously a literal version of her father causing her pain, but it was also a metaphor for her feelings of neglect caused by her father her whole life. Helen does not seem to care about many people, but she very much cares about the broken relationship of her parents. They divorced when she was young, and ever since then she has desperately wanted them to get back together. While shaving with a slightly damp razor one day, Helen quickly, and rather violently, starts shaving the dry skin on her legs and her pubic region, when she accidentally slices open the skin where her hemorrhoids remain. After a scream of bloody murder and a failed attempt at going to school with blood dripping down her legs and peering out from under her skirt, this act lands her in the hospital, which is the setting for the majority of the movie. She sees this as the perfect seed for a plan to get her parents to visit her in the hospital at the exact same time and magically fall back in love under the dreamy florescent hospital lights. She uses her charm and cherub-like face to get what she wants, persuading her naive nurse, Robin, played by Christoph Letkowski, to make the arrangements. She later says in the movie that she has always wanted to have a child of her own, but she has had herself sterilized in order to stop the vicious cycle of her family. She says that from her great grandmother, to her grandmother, to her mother, to her, all of the first born daughters of the family have been “neurotic, deranged, and miserable.” This is incredibly sad because she must have gotten herself sterilized in a rage of anger and emotional pain. Aside from her active sex life and casual drug habits, Helen’s hobby is growing avocado plants which she considers to be her own little family. I believe that caring for these little avocado seeds is her way of nurturing new life. I think she translates her feelings of neglect and emptiness from her lack of a loving childhood into love for the plants. Although she cannot give birth to a child of her own, she tries to find ways to express her motherly nature, while still holding onto her tough and wild exterior. Helen even has a hallucination in the hospital where she gives birth to an avocado plant, which was strongly a symbolic representation of her inner turmoil about wanting a family of her own in comparison to her growing avocados. Helen’s little brother, Toni, played by Ludger Bökelmann, also exhibits this crave to nurture as a result of an empty childhood; he is a quiet little boy who will become furious if anyone dares to touch his precious teddy bear. We do not know much about Toni, but I see the similarities between Helen and him in that respect. Although Helen does not let much of her soft side show on the outside, the audience gets an inside look into her shocking memories and thoughts as her narration guides us through her life.
After watching this movie, while I was still in complete and utter shock, I looked up some other people’s opinions. Some thought it was brilliant, some were repulsed by the vulgar scenes. Someone was so completely disgusted that he/she cut up the Netflix DVD with a pair of scissors, completely willing to pay the twenty dollar fee for damages (that is a bit extreme in my opinion). I think Wetlands is a film that does contain a load of shock value, but also has an immense amount of substance. I believe that her extremely appalling and distasteful language and behaviors are all a cry for attention, relating back to her parents. So people who think there is absolutely no reason for the gross content, should look a bit deeper . Although I will admit, some scenes were quite unnecessary and objectionable simply for the sake of being objectionable, leaving me annoyed at Helen to be completely honest. It is filmed beautifully, portraying a dreamlike and fantastical aura at times, while also emitting a quirky and comical vibe paired with alternative sounding music that fits Helen’s personality perfectly. Her flashbacks to her childhood, and scenes portraying her daydreams are saturated with deeply traumatic emotion and bright colors which entice the audience and allow people to sympathize for her and appreciate her as well. Carla Juri does an exquisite job of effortlessly portraying the tortured, yet free, soul of Helen, forcing the audience to feel things for her. I think Helen is one of those characters I could not picture being portrayed by anyone else. Overall, Wetlands is completely unforgiving, disquieting, and an intense movie-watching experience.
Is Wetlands worth watching?
If you are easily offended, and are not into crazy arthouse films, maybe you should skip this one. If you are like me and are a person who enjoys all kinds of movies, including foreign films, and does not mind a little shock value here and there, I say go for it; overall it is a totally fun movie!!
You can watch the trailer here (mildly NSFW):
Where did I first hear about Ask Me Anything?
The other day I went on Netflix to browse and see if there was anything new and interesting to watch, and this was literally the first thing I saw on the home page. I thought this would be a cute comedy/Rom. Com. to watch. I figured it would have a light and whimsical vibe, which was what I was in the mood for at the time; I was sort of wrong.
Ask Me Anything was not exactly what I thought it would be. You know that saying “don’t judge a book by its cover,” well that is exactly what I did. The short plot description Netflix provides compared to the movie poster led me to believe that this was going to be a comedy filled with fluff. I literally thought I was about to watch a movie that resembled Love Actually, especially considering the poster reminded me of the poster for Love Actually. And don’t get me wrong, Ask Me Anything has several comedic and snarky moments, but this movie has a deeper meaning and darker aura than I was expecting.
Ask Me Anything is a somewhat amusing, and quite bleak, drama directed by, written by, and also based on the novel, Undiscovered Gyrl, by Allison Burnett. Britt Robertson plays Katie Kampenfelt, a troubled, recent high school graduate who, while taking a gap year between high school and college, writes a blog about her life as suggested by a school advisor. She decides to change a few details from her life in the blog so that no one can figure out her true identity. At the beginning of the movie, Katie announces through her blog that she is currently involved with a 32-year-old community college film professor, named Dan, also known as the ever so charming, Justin Long. Oh yeah, and both of them are already in relationships. By this point, we are about five minutes into the movie, and the audience already has a taste of what her character is like: selfish and careless. I believe her sassy and reckless behaviors are a result of her own insecurities and loneliness from a complicated home life and lack of many friends. She lives with her mother and her mother’s snide but caring boyfriend, while also visiting her former sports writer, current demotivating, borderline alcoholic father and his mousy girlfriend throughout the movie. Blowing off calls from people here and there, and cheating on her high tempered boyfriend are just a few examples that demonstrate Katie’s little respect or value for the people she encounters in her life. Although to Katie, Dan is special and she believes she has a true emotional connection with him. Katie puts up a front that she is tough and doesn’t need anyone, but in reality she unhealthily craves attention from Dan. She uses her sexuality to keep him around, showing her desperation to be with him even when he subtly attempts to end their affair. He even moves without saying goodbye to her; if that isn’t a hint, I don’t know what is.
Before Dan moved, Katie got a job working at a book store, but when her loving mother and her mother’s snarky, mustached boyfriend tell Katie that her boss, played by Martin Sheen, is a convicted sex offender, they force her to quit. She soon after gets a phone call from Paul Spooner, an admissions officer, played by Christian Slater (Heathers nostalgia), from the college which she deferred a year from, coincidentally asking her if she needs a job. Katie takes the job as a nanny for his and his wife’s newborn son. Katie is given access to a car, a Volvo to be specific, for her nanny duties. A very excited Katie calls Dan telling him that she can now come visit him, which causes him to be taken off guard considering he thought moving would be the obvious end of their relationship. Although Dan stays on her mind throughout most of the movie, she eventually partakes in a new scandal…you guessed it, an affair with Paul. Katie’s slight obsession with these men distract her from her own true priorities and self esteem issues.
What is truly wonderful about Ask Me Anything is the fact that almost every character is very important to the plot and only enhance the core reasons as to why Katie is so troubled and has issues chasing after (mostly older) men who will only hurt her in the end. From her school advisor who is only in the movie for a few minutes, to her only female, mischievous, and carefree friend, Jade, to the depressed voice of reason, Joel, every person in Katie’s life plays a role in either helping her or hurting her. The varying people that impact her life allow her to grow and eventually make mature decisions that will alter her life forever. Although I did not read the novel, I have read that the movie stays true to the book, which is always a plus. The film mostly relies on character development to keep the structure in tact, which, for a movie of this genre, is perfectly okay. It’s not necessarily filmed in a unique way or anything, but the script and variation of personalities the audience experiences throughout the film are impressive. Britt Robertson’s performance may warm and break your heart all at the same time. Robertson genuinely becomes Katie as she portrays her haunted soul, sarcastic attitude, and carefree exterior beautifully.
One of my complaints is that there is not really a climax in the plot. The audience is kind of just along for the ride as Katie makes mistakes from beginning to end; there is not necessarily one moment that explodes with shock or action. Although, there is a small twist ending which in my opinion, sort of came out of left field. Twist endings are something that really captivate me as a lover of film; some are mind blowing and have me screaming at the screen in pure excitement, and some are duds that make absolutely no sense and also have me screaming at the screen, but in anger (cue Enemy). To me, a good twist ending is crafted so there are clues the audience could have picked up on throughout the movie that come together like a perfect puzzle in the end and have you saying “OHHHHHHHHHH.” This one did not really do that for me. The twist is nothing compared to that of The Sixth Sense or anything; it is not completely shocking, and I did not quite see the reason for it, but overall it was interesting. There are a few hints throughout the movie, but after I watched it, I thought to myself “well okay then.” Overall, Ask Me Anything is a delightfully gloomy and sarcastic coming of age drama that will make you feel as though you deeply understand and relate to Katie Kampenfelt and the endeavors of growing up.
Is Ask Me Anything worth a watch?
If you appreciate quirky indie dramas and/or coming of age films, then you will most likely enjoy Ask Me Anything.
You can watch the trailer here:
If you are a movie buff and are interested in my reviews and in talking to me, please feel free to comment, follow, and express your opinions!! It would mean a great deal to me. Let’s get a discussion going!
Where did I first hear about Clown?
Okay, so it was a while ago, but I believe I started hearing buzz about Clown on bloody-disgusting.com. For people who are disturbed by a website with that name and have no clue what I am talking about, it is a horror website that often posts news about upcoming horror movies, video games, comics, etc. The buzz stopped for a while, considering there was not yet a full movie, but recently bloody-disgusting started posting clips from the movie and it sparked my interest for the second time.
Clown is a horror movie from 2014 directed by Jon Watts, and produced by none other than the modern king of horror, Eli Roth. Aside from producing the film, Roth also stars as Frowny the Clown. At first I was very confused as to who was responsible for the film considering I heard a few opposing things about it; so I decided to do a bit of online research. The original trailer that was released in 2010 by Jon Watts and Christopher D. Ford was fake and was advertised as being from “master of horror Eli Roth.” Funny thing though: Eli Roth had nothing to do with the original (fake) movie trailer. Watts and Ford put his name on the trailer to get as much attention as possible, and it worked. Eli Roth wound up seeing the trailer and loving the project, so he was on board with the movie. The poster I posted above is from Italy and it is a more tame version of the original banned movie poster. It was banned for being a bit too grotesque. The original one was simply the entire photo of the clown rather than only a portion of it formed into letters like the one above. I decided not to post the original poster because I do not want want to disturb any squeamish
The movie starts with Kent (Andy Powers) and a secretly pregnant wife, Meg (Laura Allen) talking to each other on the phone, flustered about finding a last minute clown for their son Jack’s (Christian Distefano) seventh birthday party after the one they originally booked did not wind up showing up. Kent is a realtor who magically, and quite conveniently, found a clown suit and wig kept in a pretty suspicious looking chest (if I do say so myself) in the attic of a house he was trying to sell. The chest was chained to the wall, so if you had no idea what you were getting yourself into, that was the first sign that something is going to go wrong with wearing the clown costume. Kent shows up to his kid’s birthday party just in time to act as, who he calls, Dummo the Clown. The party goes great, Jack is a happy little birthday boy, Meg and Kent are relieved after the minor clown crisis, but then, surprise surprise, Kent can’t get the clown suit off. I’m just going to pause right here to talk about how although this movie is totally fun, it is not all that original whatsoever, and it is pretty predictable. You do have to take into consideration, that coming up with a new and clever horror storyline is pretty tough, because not only is our society desensitized to a lot of gore and graphic images, but also, it has all kind of been done before. Just think about how many zombie movies, vampire movies, supernatural/ghost movies, exorcism/satanic movies (oh goodness please make them stop), found footage films (ugh (even though I still go see them)), and even clown movies, there are out there. And how often do we walk out of the theater (if it even makes it to the theater), saying “That was totally awesome, super scary, and most of all, completely original!!”? I’ll answer this question for you: painfully not often. There are a small amount of good horror films in this world that make us squirm and are well thought out with a solid plot, so when a genuinely decent one comes out, the filmmakers milk it as much they can with sequels; Paranmormal Activity and Insidious, I’m talking about you. Or filmmakers resort to movies that just exist to shock; The Human Centipede, I’m talking about you. Not all can shake the public like The Exorcist and The Blair Witch Project. My point is, this film is not exactly revolutionary or unique, but it is enjoyable to watch in the most predictable of ways.
When Kent first realizes he cannot get the costume off, for some reason he decides that this is not a real problem, and goes to work anyway. He goes to one of the houses he is trying to sell, and there are people working on renovations at the house as well…who happen to have power tools. He starts becoming frustrated at work with the fact that the costume is stuck on him, so he tries to do the least reasonable thing possible: he tries to cut off the clown suit with power tools. He winds up accidentally slicing open his wrist and the material of the costume is so strong that it broke a power saw. Later, Meg questions why Kent still has his costume on and why on earth he wore it to work. When Kent pleas for help to his wife, the quick solution involves ripping off his clown nose with dental instruments from her job, which obviously turns out to be a bloody mess. It becomes more than clear to the audience and to the characters that this demon clown suit is not coming off any time soon…or at all.
As time goes on, Kent realizes that there is something really wrong with why he cannot get the costume off, and it’s not that he gained a ton of weight in a mere day or something. He conveniently winds up finding the original owner of the costume who tells him that the costume is actually the skin of an ancient European demon who eats children, of course. The only ways to rid the demon are to either feed it five children for the five months of winter, or to behead it. Karlsson (Peter Stormare), the original owner, had the same awful experience that Kent is having, so he will do virtually anything to end the curse. As Kent becomes hungrier and hungrier for the delicious flesh of children, the film becomes creepier and creepier, showing the mental and physical destruction of him.
The incorporation of the birthday party at the Chuck E. Cheese’s-esque place was a setting that was not only perfect for a potential child buffet, but gave the film an unsettling and frightening vibe. I enjoy how this setting transformed something completely un-scary into something nightmares are made of. Without giving too much away, I will never look at the McDonald’s play tunnels the same way again. Some of Kent’s, or should I say Frowny the Clown’s, child luring tactics (also used on his own son) are reminiscent of The Exorcist and Evil Dead. Playful and persuasive voices enunciated from demons is something I have seen (or heard) before in horror films, which I enjoy every time. Although it also has other typical horror movie maneuvers, the film comes together quite nicely, never boring the audience. One of my frequent complaints about horror films, including this one, is the lack of character development. It’s not that I did not like the characters, but I also didn’t not like the characters, which is almost worse because that shows that none of their personalities really left a true impact on the movie’s storyline. Clown‘s ending is not much of a surprise, making it less satisfying once the credits start rolling. Overall Clown is a fun movie if you don’t expect a groundbreaking plot that will make you think for days; however, it might make you shudder for days.
Is Clown worth a watch?
If you’re interested in the horror genre as a whole, and appreciate the work of Eli Roth, this movie may be for you!! This movie may not be for you if you suffer from Coulrophobia though.
You can watch the trailer here:
Where did I first hear about Honeymoon?
I originally saw an article about Honeymoon, and its trailer, on moviepilot.com. The trailer intrigued me without giving too much away about the story. It has an eerie vibe that made me very curious and excited to see this movie. Moviepilot often has articles about films that are coming soon, so I knew I would be unable to see it for a while. Recently, Netflix added Honeymoon to its Horror genre in the watch instantly section.
Honeymoon is an intelligent horror/thriller/science fiction film directed by Leigh Janiak. My thoughts following viewing the trailer included that this film has the potential to be a fantastic creep fest, but it also has potential to lack a real climax and have not much actually happen. To my pleasant surprise, Honeymoon takes the idea of a gradual electrifying buildup, and executes it in a superb manner.
Bea, played by Rose Leslie (Game of Thrones), and Paul, played by Harry Treadaway (Penny Dreadful), are happy newlyweds. The movie begins with them talking to a camera for their wedding video about their first date involving an unfortunate Indian food incident, and how a poorly planned camping trip became a charming indoor fort-tent adventure that led to a proposal. I appreciate the fact that as the movie progresses, the audience is invited into Bea’s and Paul’s relationship. They have this overwhelming chemistry that is believable and realistic. They’re quirky, sweet, and have pet names for each other like “honey bee” and “Pauly poo.” They have this serious passion and light sense of humor that can make any viewer fall in love with them in the way that you wish to tell yourself that you want to vomit from their mushy and annoying romance, but you know they’re just too cute. Horror movies often lack in the character development department, but Honeymoon nails it in this category. It is especially necessary and impressive because they are the only main characters, aside from two supporting characters who later appear only to enhance the plot. Horror films are repeat offenders in giving characters cheap, stereotypical personas and make little effort to make them relatable. It is a good sign that the movie starts with strong characters in order to further appreciate and savor the story.
Bea and Paul decide to spend their honeymoon at Bea’s family cottage with 90’s decor in the middle of the woods. As kitsch and alluring as this little vacation sounds, we know something is going to go wrong. Although I was captivated by the idea, I still thought, “Oh great, another mediocre cabin in the middle of the woods flick.” Even though that sub genre has been done time and time again with movies like The Last House on the Left, Evil Dead, The Strangers, and Cabin in the Woods, when they’re good, they’re good. There is something chilling about a remote cabin in the middle of nowhere that is a repetitive setting for an abduction or slasher intruder storyline. After Bea gives Paul a tour of the cottage, they get situated, and bask in their newlywed romance, they decide to go to sleep. As the audience watches the couple in their dreamy slumber, a strange, bright ray of light comes through the window accompanied by a low and dense sound.
The following day, everything seems to be peachy as Bea awakens Paul by goofily poking his nipple with a mallard duck decoy. They make pancakes and go fishing together just relishing in each others company. Later they decide to go for a stroll when they come across a shabby restaurant. In the restaurant, Bea and Paul have a bizarre and startling encounter with and old friend of Bea’s, named Will. After Bea and Will get reacquainted, Will’s wife walks in the room flustered, telling Bea and Paul that they urgently need to leave. She looks exhausted, with purple bags under her sunken in eyes. The audience gets a vibe that something is not quite right with her and the situation itself.
Later that night, Paul notices Bea missing from the bed and soon finds her standing naked and in a trance in the middle of the forest. At approximately 27 minutes into the film, this is a major turning point for the plot. By this point, I expect a film to pick up the pace; we got an introduction, now we want a juicy story. After the freakish incident, Paul is looking for answers, and without giving too much away, something bad happened to Bea in the woods. Bea is no longer acting like herself and seems like a stranger to Paul. From denying the seriousness of strange markings on her thighs, to no longer remembering how to make French toast or coffee, Bea is not Bea. She gives some (pretty bad) excuses for her zombie-like expressions and pose in the woods like “I must be sleepwalking,” or, my personal favorite, “Nothing, I’m fine.” By this point, a viewer is hoping things start getting more exciting, and although the viewers are totally creeped by Bea’s brief disappearance, more needs to happen. I did say this film is a gradual build up in a smart way, but I do wish there were more scares and startles in this film. About a quarter of the movie felt like a romance film, and although that time was used for character development, I don’t like waiting long for the feature to get scary. The dialogue and character progression make up for it somewhat, but if more scary events happened, I would have given this film a higher rating.
Paul begins to lose his grip on who his wife really is, what she is turning into, and even on himself. Treadaway gives an exquisitely charming performance as a horrified yet loyal husband who will do anything to ensure his wife’s safety and sanity. Leslie portrays Bea in a haunting fashion that evokes fear in not only Paul, but also the audience.
It is clear that Honeymoon did not have a high budget considering the lack of effects. I often think that filmmakers use special effects in place of a plot, which is never how it should be, but it seemed a bit like effects were avoided until the end of the film. It is almost as if the director was trying to distract the audience from the fact that there were little alarming/shocking scenes and no extravagant effects for the majority of the movie with candy or a shiny object, or in this case a strong character relationship. Despite this, Janiak executes this plot wonderfully, with a strong bond between the characters and an eerie aura enticing the audience all the way through. Nobody said marriage was easy, but Paul and Bea find out how challenging and unnerving it can be to trust and hold onto your betrothed.
Is Honeymoon worth a watch?
Yes! Honeymoon is worth watching if you are into mild horror flicks.
You can watch the trailer here: